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The Secret to Avoiding a Bad Sound at Your Concert

The Sound Engineer’s Guide to Avoiding a Poor Audio Mix

Good sound is paramount to a successful concert. That’s why many people choose speaker hire London. But, as with anything else in life, it can be hard to find the perfect balance between quality and cost.

One of the most common mistakes that venues make when setting up their sound equipment is assuming that speakers should always point at the audience. This isn’t necessarily true for all types of performances, but it definitely doesn’t work well if you’re trying to minimize feedback or echo issues inside an enclosed space like a theater or auditorium. Pointing speakers towards walls will often create more reverberations than desired while also causing distortion in high frequencies due to acoustic interference patterns between the speakers and the walls.

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Another common mistake that venues make with their sound equipment is assuming they don’t need to worry about how loud things are getting on stage. A good concert has a balance between too quiet and too loud, and it’s often hard for someone who isn’t familiar with audio production equipment like mixing boards to find this perfect volume level without some help from those running the show. When you’re setting up at your venue there might be no one else around who knows what they’re doing – so take charge! Make sure that people can still talk over each other if necessary but also ensure that everything sounds as clear as possible when projecting into an audience full of cheering fans or eager listeners.

The secret to avoiding a bad sound at your concert is a combination of both smart sound equipment choices and knowing when to take control yourself. For example, if you’re the only one who knows how to run a mixing board or what frequencies to cut at certain volumes, take that information into consideration when setting up your concert. Even if someone else is helping out with sound equipment it’s important for them to know all of these basic concepts so they can adjust things quickly and efficiently in response to feedback from performers on stage.